gayle

Gayle Weisfield, accomplished artist, talented instructor, world traveler, and a passionate student of life. She works primarily with transparent watercolor in a style she describes as “conceptual realism.” Subjects range from the natural scenery of the Columbia River Gorge, in which she lives, to the architectural beauty found in Thailand, Rome, and beyond. An avid believer that everyone is an artist, Gayle is enthusiastic about and committed to teaching workshops. Over the last twenty years, she has taught hundreds of students, using the watercolor sketch book journaling techniques which she developed. Recent workshops have taken Gayle to Hawaii, Mexico, Guatemala and all over the western United States. Although best known for her watercolor paintings, Gayle is fluent in many artistic mediums. From murals to three-dimensional sculpture, Gayle allows her subject matter to inspire and dictate her choice of medium and technique. Gayle attended the University of Washington, graduating with a Bachelor of Fine Arts degree. A signature member of the Northwest Watercolor Society and charter member of the Southwest Washington Watercolor Society. A published artist in Splash 11: New Directions, she is featured in galleries and shows throughout Washington, Oregon, and California.

PigSomePig web 300x227 Open House and Studio SaleSunday, November 13, 2011 2-6 pm

90+ framed pieces and still more to come. Everything from large and small framed original watercolor pieces, matted studies, prints, scratch and dents, a whoopsie or two, as well as cards, posters, even surplus supplies, paints, and paper.

Everything goes, except the dog and he is good for another year.

I am building a new larger studio on the ground floor level of hog barn #2 and want to start with a few empty drawers!

I have been working around the clock since Jackson Hole to get the Flying Pig Studio “guest house” ready for future retreats, art escapes, and one-on-one immersion painting classes.20111106 StudioSale2 300x199 Open House and Studio Sale

Am I getting closer? Come check it out! Celebrate with me by tipping a glass of wine and enjoying some yummy snacks while shopping for gifts and stocking stuffers. By invitation only so please call for an invite or RSVP to info@gayleweisfield.com or call my home phone 509-365-3709 so I’ll know how many little smokies to defrost.

20111106 Farmhouse1 235x300 Open House and Studio SaleDirections to Farm – 386 Lyle Snowden Rd
Take Hwy 84 east toward Hood River
Take Exit 64 and turn left onto Button Bridge Road and go over the toll bridge (.75 toll) into Washington
Turn right (east) on Hwy 14 and go 10.5 miles
Turn left (small road sign labels this Old Hwy 8 ) toward Appleton and go 1.1 miles
Turn right on Canyon Road (at the intersection with the blue Wineries sign) and go .3 miles (very close – keep your eyes open for first left)
Turn left on Lyle Snowden Rd toward Klickitat Canyon Winery and go 3.8 miles
Flying Pig Studio at the Hog Farm is on the right
Turn onto gravel road into the farm – the entrance will be marked

Jun 252011

Let’s get together this July and eat, drink, and look at art while discussing what’s new.

Sunday, July 3rd from 1 to 4 pm – Artist Reception at The Gorge White House

The Gorge White House is offering free wine tasting, I’m bringing good eats, so come and enjoy a Sunday afternoon with friends. I’ll have 15 to 20 new works, some fun color pieces as well as several smaller pieces. The art is on display all month but I will be there on July 3rd.

Saturday & Sunday, July 9th & 10th from 10 to 5 – Art Show on the Rim, Crater Lake

Artist reception, show and sale featuring this year’s Crater Lake National Park Artist(s)-in-Residence. Held at Rim Village Community House at Crater Lake National Park. I hope most of the snow will be gone!

July 26th – 31st – Grand Teton Gallery, Jackson, Wyoming

Stop by and visit me at this great new gallery just opening in Jackson Hole this year. I will have some paintings of the fabulous landscapes found at Grand Teton National Park as well as Yellowstone National Park.

I hope you can stop by at one of these events and fill me in on what you have been up to. I’ll look forward to seeing you on the patio of The Gorge White House, at Crater Lake, or the lounge of the Wort Hotel in Jackson Hole.

This animation of a window wall with balcony and railings, with and without shadows is drawn in one point perspective.

Starting with a line drawing of overlapping boxes that represent the shapes which make up a typical  window opening and balcony. I set up this animation with the viewer standing parallel with the window wall with eye level and the Horizon line at the balcony floor.

Key elements of a one point perspective.
  • Horizon Line: A horizontal line generally at the horizon or the viewers eye level .
  • Vanishing Point: All lines vanish to this single point always on the Horizon Line.
  • Picture Plane: In one point this is always parallel with the HL or in this case the window wall.

Lets review these terms.

  • Horizon Line is a single arbitrary line placed by the artist on the page often best when not placed at the center of the page  creating an uninteresting division of space.
  • Vanishing Point is the exact point where the artist eye focuses the horizon line it can be to the right or left of the page or subject, but must be located on the HL.
  • Picture Plane, (here the window wall)  is parallel with the HL and perpendicular with the VP.

OnePointPerspective One Point Perspective

Artistic View Point with perspective.

View Point. To move the artist’s line of site or eye level in relationship with the Horizon line,

  • Low View point. The artist eye level or view point is from below the balcony looking up towards the Horizon line.
  • High View Point. The artist eye level or view point is from above the balcony looking down towards the HL.
  • Fun?
Adding Shadows.

I’ve added a shadow to the animation that shows you how much it changes  based on your point of view. It can be easier to draw the balcony window first then add the shadow so you don’t become confused on your perspective. Perspective must not be drawn wrong, or it will confuse the viewer.

When adding shadows to your buildings, remember you use the light source (in this case the sun) as the Vanishing Point. Shadows follows the same rules as perspective when falling on an uneven surface.

Amazing what a difference shadows make in creating more interesting painting. They are a great design tool, adding contrast and interest to your work beyond just the drawing of a balcony, window and railing. We are not always lucky enough to have the best light but this does not have to stop you from adding shadows as they would have looked on a sunny day.

Coming soon – Two Point Perspective…

Two days ago it snowed 10″ in 24 hours. The snow is 148 inches – that is over 12 feet! Today is the last ranger-led snowshoe walk for the season. HARD WORK! Hope to see something beyond the mounds of snow!

Do you have a good suggestion to name my camel? Here is one of my latest paintings and I would like a good name for him. The only camel name I know is “Joe” but I am hoping for something a little more unique. Please post your suggestions! I would love to hear them.
Camel web 300x297 Suggestions for a Camels Name???

I have recently had 2 more paintings accepted into juried competitions. This has been a great year so far and I appreciate the support.

“Emerald Water” has been accepted into the Watercolor Missouri National 11th Annual Open Exhibition sponsored by the Missouri Watercolor Society. The painting will be exhibited at the National Churchill Museum Anson Cutts Gallery on the campus of Westminster College from April 1 – May 22.

“The Offering” has been accepted into the 41st Annual International Exhibition sponsored by the Louisiana Watercolor Society. The exhibit will take place in the atrium of Place St. Charles, a luxury office tower in the Central Business District of New Orleans from May 7 – May 27.

Emerald Water1 150x150 2 More National Competition Acceptances!

 

 

“Emerald Water”

 

 
g TheOffering web 150x108 2 More National Competition Acceptances!

 

“The Offering”

Mar 092011

This style of painting is so much fun to demonstrate. Everyone is amazed that a beautiful painting comes from such random chaos. Remember to work the entire page at once. Moving from soft to hard edges on a wet to dry paper creating light to dark shapes.

Happy Painting!

(Click thumbnails to enlarge)

1LineDrawing 150x150 Poppy demonstration

 

1. Using a full sheet of dry Saunders paper, I start with a simple line drawing to block out the major shapes. I then splash masking fluid to retain the whites where the poppies will be later.

 

 

2HawTexture 150x150 Poppy demonstration

 

2. Next, I saturate the paper. Then using a primary triad, I splash the “HAW” of the painting, creating texture, interest and natural grays in the focal area of the painting.

 

 

 

3ValuePatterns 150x150 Poppy demonstration

 

3. As the paper is drying, I charge in some general shapes and darker value patterns to lay out the shadows in the grasses.

 

 

 

4ShapesAndEdges 150x150 Poppy demonstration

 

4. Once the paper is dry, I remove the masking, and paint the whites red for the poppies. I then add the hard line foreground grass details and the background trees. Final touches are spattered flowers and branches.

I am thrilled to announce that my painting “Cast Shadow” was accepted by the 62nd Texas Watercolor Society National Exhibition which was juried by Don Getz!

I also received notification that 2 of my other paintings were selected to be included in the 2010 PaintAmerica Top 100 Art Competition!! They will be included in the traveling exhibition this year and be shown in galleries across the USA.

RustyHandle web 150x150 2 National Competition Acceptances!

 

“Cast Shadow” – this image came from a piece of equipment on my farm – an old cast iron stove.

 

 

 

CityOfLights web 150x150 2 National Competition Acceptances!

“City of Lights” is a painting inspired by the oil refineries in Valero, California. I spent a few weeks working in a refinery and this was the view across the refinery at night. Other worldly!!

 

 

 

BigTrouble web 150x150 2 National Competition Acceptances!

 

“Big Trouble” is a picture of my Grandma’s homestead in the Columbia River Gorge. I had a great artistic summer there off the grid!

Feb 222011

Experimentation is the path to creativity. An artist should continuously explore new and different techniques to apply pigment that help you interpret what you see rather than relying on drawing with your brush. Often the use of a new tool can result in a fresher more natural looking effect.

DaysEnd web 300x220 Pallet Knife TipCrisp convincing detail can be easily achieved by the use of a 1″ diamond shaped pallet knife. A few carefully placed well-executed strokes with the pallet knife can make the difference between an amateur or professional looking result. The crisp highlights with natural shadow effects from the pallet knife provide an interesting complement to the smooth flowing line of a rigger when rendering the random structure of nature’s details.DaysEnd PalletKnifeExample 97x300 Pallet Knife Tip

The sharp uneven edges with random bleed backs are the result of scraping a layer of pigment off the near dry paper with the heel of the pallet knife. I use the knife to paint dozens of subtle effects, including the highlights on rock outcroppings, weeds, tall grasses, delicate tree branches, architecture details, ripples in water, flower stems, and lots more. Experiment and see what you can come up with, but be careful so that these special effects blend into the painting or they will distract.

I have included some details of pallet knife work from one of my paintings. The knife is a valuable tool in my paint box.

I was recently selected as the Artist in Residence at Crater Lake National Park. I will be spending 2 weeks in May on snowshoes capturing the beauty of the park in watercolors, sketchbook journaling, and photographs. It is going to be a great adventure.

© 2012 Gayle Weisfield Suffusion theme by Sayontan Sinha